1980s Japanese Film Style Storyboard 反推提示词案例

Using the technique of abstractly expressing characters' emotions through dance, as seen in recently developed Indian cinema dance scenes, create a video portraying the anti-foreigner (Jo-i) enthusiasm of attackers like Shinsaku Takasugi just before the burning of the British Legation on January 31, 1863, set in an Edo town with a Western film atmosphere. Characters should be based on internet research of actual historical figures, with their features emphasized to look like characters in a period drama. To avoid rejection by video generation services, do not include sexual expressions, violence, or elements similar to existing works. The image quality should be a realistic photo from a 1980s live-action Japanese film. Conceive a storyboard and generate 8 landscape images (16:9 aspect ratio) for each shot from Start frame to End frame for Seedance 2.0. n=8. Be bold and comedic, using close-ups effectively. 1980s Japanese cinema look, shot on 35mm motion picture film. Photochemical texture, organic grain, subtle halation, soft highlight roll-off, slightly lifted blacks, realistic contrast, no digital sharpness, no HDR. Use a 35mm cinema camera with vintage spherical prime lenses. Lens style: 28mm, 35mm, 50mm, 85mm; mostly 35mm and 50mm for dialogue and observational framing. 24 fps, 180-degree shutter, restrained handheld and tripod shots, slow deliberate movement. Lighting is naturalistic and practical: mixed fluorescent and tungsten interior lighting, slightly underexposed, soft shadows, realistic skin tones. Color palette is subdued and earthy: brown, beige, olive, cream, muted red, with a slight yellow-green fluorescent cast. Film stock look inspired by Kodak Eastman 5247 / 5294. The overall feeling is intimate, understated, dryly comic, realistic, and melancholic, like a Japanese feature film from the 1980s. A video expressing the Jo-i spirit of the attackers like Takasugi Shinsaku just before the burning of the British Legation on January 31, 1863, in an Edo town with a Western atmosphere, using techniques from Indian cinema dance scenes. A musical film with no dialogue. A flashy, up-tempo song like an Indian movie dance scene.

近年発達しているインド映画のダンスシーンの登場人物の心情を抽象的にダンスで表現する技法で 西部劇のような雰囲気の江戸の街で1863年1月31日の英国公使館焼き討ち事件の直前の高杉晋作らの襲撃者の攘夷の意気込み表現する動画。登場人物は歴史上の実在人物の写真をネットで調べて元にして特徴を強調して時代劇に出て来そうなキャラクター化。動画生成サービスに拒否されないように性的な表現や暴力表現や既存作品に似ている要素は入れない。 画質は1980年代の実写の日本映画でリアルな写真。 のストーリーボードを構想しSeedance2.0用のStartフレームからEndフレームまでの各shotのアスペクト比16:9の横長の画像を8枚生成して。n=8 大胆に喜劇的に、クローズアップを巧く使って。 1980s Japanese cinema look, shot on 35mm motion picture film. Photochemical texture, organic grain, subtle halation, soft highlight roll-off, slightly lifted blacks, realistic contrast, no digital sharpness, no HDR. Use a 35mm cinema camera with vintage spherical prime lenses. Lens style: 28mm, 35mm, 50mm, 85mm; mostly 35mm and 50mm for dialogue and observational framing. 24 fps, 180-degree shutter, restrained handheld and tripod shots, slow deliberate movement. Lighting is naturalistic and practical: mixed fluorescent and tungsten interior lighting, slightly underexposed, soft shadows, realistic skin tones. Color palette is subdued and earthy: brown, beige, olive, cream, muted red, with a slight yellow-green fluorescent cast. Film stock look inspired by Kodak Eastman 5247 / 5294. The overall feeling is intimate, understated, dryly comic, realistic, and melancholic, like a Japanese feature film from the 1980s. 近年発達しているインド映画のダンスシーンの登場人物の心情を抽象的にダンスで表現する技法で 西部劇のような雰囲気の江戸の街で1863年1月31日の英国公使館焼き討ち事件の直前の高杉晋作らの襲撃者の攘夷の意気込み表現する動画。 セリフ無しのミュージカル映画。 インド映画のダンスシーンのような華やかでアップテンポの曲